This works and you realise this is the story of an underdog you want to win. Hrithik Roshan and Sanjay Gupta consciously don’t project Rohan Bhatnagar as someone you should pity. And by now, he knows his characters like the back of his hand. Kaabil is a revenge drama.īut he has done it before: In Udaan, Boss, Two States and every other film he acts in. On top of that, Ronit Roy makes sure the audience dislikes him from the very first scene.Īs a doting brother of a crook, he is someone who you need to watch your back, especially if you have criminal intentions. They are suspicious of the bad neighbourhood and police. In Kaabil, he makes Rohan and his folks believable. Gupta tried but failed to strike a common chord with the audience in Jazbaa, mostly because his characters spoke a language alien to the middle class. He believes revenge is best served cold, and blind. Here, Hrithik requires the expertise of Sanjay Gupta, who has a penchant for saturated colours and Korean thrillers. But can they strike back? Sanjay Gupta is the director of Kaabil. Kaabil begins to strike a chord here, because rape of people, including men and women, with special needs is something we often hear and read about.
His self deprecating humour doesn’t look absurd when he meets Supriya (Yami Gautam), also a visually impaired person, and declares ‘it’s love at first sight.’ They get married but don’t live happily ever after, because the local corporator Madhavrao Shellar’s (Ronit Roy) brother Amit (Rohit Roy) decides to take advantage of Supriya’s lack of sight. He is a terrific voice-over artist who takes mental notes of English dialogues and then translates them to Hindi in real time. And so in Kaabil, that chosen one is Rohan Bhatnagar (Hrithik Roshan), who is blind and has an evolved sense of smell and directions.
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